|
|
|
|
|
Young Bull
Painting ID:: 40475
|
POTTER, Paulus
Young Bull
mk156
1647
Oil on canvas
236x339cm
|
| |
|
|
|
|
|
|
|
|
|
The Farm
Painting ID:: 41044
|
POTTER, Paulus
The Farm
mk159
1649
Oil on panel
81x115.5cm
|
| |
|
|
|
|
|
|
|
|
|
A Landscape with Cows,sheep and horses by a Barn
Painting ID:: 43175
|
POTTER, Paulus
A Landscape with Cows,sheep and horses by a Barn
mk170
1651
Oil on
|
| |
|
|
|
|
|
|
|
|
|
A geschecktes horse
Painting ID:: 45902
|
POTTER, Paulus
A geschecktes horse
mk178
1653 oils on linen
60.5x41cm
|
| |
|
|
|
|
|
|
|
|
|
the bull
Painting ID:: 56077
|
POTTER, Paulus
the bull
1647,oil on canvas,92.75x113.375 in,235.5x339 cm,mauritshuis,the hague,netherlands
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
POTTER, Paulus
|
|
Dutch Baroque Era Painter, 1625-1654
Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape, |
|
Related Artists::.
| Modeste Carlier | Jerome-Martin Langlois | Howard Pyle | |
|
